vimeo:

A wild night told in bullet-time photography. Watch.
vimeo:

A wild night told in bullet-time photography. Watch.
vimeo:

A wild night told in bullet-time photography. Watch.
vimeo:

A wild night told in bullet-time photography. Watch.

vimeo:

A wild night told in bullet-time photography. Watch.

six word poem 5/19/13

atonguewithbutsixwords:

Live free,

they’ll
charge
you
somehow.

(via atonguewithbutsixwords)

External Gazer turned 1 today!

thepenguinclassics:

Oliver Harris is the world’s leading authority on the work of William Burroughs, having edited or written ten books by or about the American writer—most recently new editions of his famous experimental “Cut-Up Trilogy” of the 1960s, The Soft Machine, Nova Express, The Ticket That…

theparisreview:

There’s that fruity smell of gin and lime,
and the fathomless tinkling of their glasses
drives itself into the icy trees,

the ones on my side, landlocked Kalamazoo
where snow is falling fast and thick,
pouring out of the very streetlight

as if it wanted to bury this town.

Nancy Eimers, from “On the Phone with My Parents.”
Art: Hayashi Takahiko (via)

One Hundred Live and Die (Bruce Nauman, 1984)

Figure in the Moonlight (John Atkinson Grimshaw, 1871)

Ship in the Stormy Sea (Ivan Aivazovsky, 1887)

The Visual Topography of a Generation Gap (Daniel Bejar, 2006)
A copy was made from my original apartment key, then a copy was made from that copy. This process was repeated until the original keys information was destroyed, resulting in the topography of a generation. The Visual Topography of a Generation Gap (Daniel Bejar, 2006)
A copy was made from my original apartment key, then a copy was made from that copy. This process was repeated until the original keys information was destroyed, resulting in the topography of a generation.

The Visual Topography of a Generation Gap (Daniel Bejar, 2006)

A copy was made from my original apartment key, then a copy was made from that copy. This process was repeated until the original keys information was destroyed, resulting in the topography of a generation.

Family photos of Theodore Kaczynski, a.k.a. The Unabomber (c. 1965) Family photos of Theodore Kaczynski, a.k.a. The Unabomber (c. 1965) Family photos of Theodore Kaczynski, a.k.a. The Unabomber (c. 1965) Family photos of Theodore Kaczynski, a.k.a. The Unabomber (c. 1965)

Family photos of Theodore Kaczynski, a.k.a. The Unabomber (c. 1965)

The Shadow of the Torturer (Gene Wolfe, 1984)

Artwork by Don Maitz